Drupa
2012 Report
By Frank Romano
June 20th, 2008 -- They
moved the exhibition to the middle of May to coincide with the feast of Saint
Drupus, patron saint of no air conditioning. It is still in Dusseldorf, a
German city known for bratwurst, beer, and asparagus that has not been color
corrected. The hotels no longer take cash; payment is in gold ingots.
Heidelberg
wanted to expand its space and had to settle for a 10-story addition. HP rented
the Rhine River for 14 days and all boat traffic was re-routed through the
Baltic Sea. For hotel rooms, the USS Ronald Reagan was leased, with direct
flights to the ship; there is a surcharge for baggage and ballistic missiles.
There are so many new exhibitors that some have special exhibition areas on the
trams and in the rest rooms.
The
offset press people were very busy over the last few years. KBA has a new
16-foot sheetfed press, which takes large format offset to its largest format.
The platemaker is now the 51st state. Muller-Martini has a folder for it that
doubles as a harvester for wheat. New press technology is introduced that
eliminates plates -- imaging is direct to cylinder. Anilox inking is on many presses;
makeready is down to 30 seconds and most presses have no operators because of
TOA -- Total Offset Automation. Press operators wear uniforms like airline
pilots and sit in a cockpit: “We are now cruising at 20,000 sheets an hour and
do not expect turbulence.”
manroland
has announced a new logo -- Manroland -- a capital idea. And the digital
printer companies have changed from their brand color -- red -- to red -- only
this version can be printed by their own equipment.
Adobe
actually put up a sign to tell people about PDF-VT (Variable Transactional),
one of the hidden gems of Drupa 2008 buried in Acrobat 9 that no one reported.
It saves repeatable items as X objects and makes VDP truly interoperable
through any company that applies the PDF Print engine RIP -- which is all of
them except for HP, who opted out because they really do not want designers to
print all that crazy stuff with transparency and other creative content.
The new machine uses both toner and inkjet for those users who cannot
make up their minds
Xerox has
introduced the iGen999999, topping the Oce 10000 for most digits in a product
name. The new machine uses both toner and inkjet for those users who cannot
make up their minds. It is the world’s first truly hybrid printer. A new gel
ink can also be used as a mousse for hair styling.
Oce has a
roll-fed printer that is so fast it prints before you send it files. But Ricoh
says their printer can actually send transaction documents back in time so
bills are paid before they are due. The term “transpromo” has been banned,
except in one Tibetan dialect where it means “cross eyed yak.”
(What do
you call junk mail to a monastery? Monk mail. Badabing.)
The
de-inking cartel now says they can de-paper ink, instead of de-inking inkjet
ink even as they de-inked toner which is not ink, and ink, which is ink, so now
all recycled paper will be inkless, tonerless, and paperless.
The
inkjet printers shown at Drupa 2004 are running and commercially available.
This is good because users can finally keep samples. However, several Drupa
2012 introductions are expected after 2020. Drupa always seems to be a few
years too early. FujiFilm showed an inkjet printer using edible inkjet ink
printed on rice paper. The result was called Fushi and visitors were eating it
up.
Wide
format, super-wide format, and gigunda-wide format inkjet printers are in every
hall. They no longer use scanning print heads because head arrays several
meters wide are available. Thus, wide format inkjet competes with page
production inkjet and both compete with toner and all compete with offset
litho.
There have been skirmishes in the
aisles between offset, toner, and inkjet suppliers. The UN has established a
buffer zone in Building 19
Inkjet
printing is now mainstream and there are production page printers that are
sheet- and roll-fed, A4 up to 40-inch output. There have been skirmishes in the
aisles between offset, toner, and inkjet suppliers. The UN has established a
buffer zone in Building 19.
To speed
visitor traffic, Drupa has implemented a transporter system like Star Trek. It
still has some bugs, because one visitor from Slovenia was beamed inside a
NexPress. Fortunately, they were extricated just before the duplexing cycle.
Chinese-made
systems are everywhere. One web2print Internet application uses fortune
cookies.
Every
company is now green. Hot air from the stands has been directed to special
turbines and every visitor takes a turn on the large wheel that generates
electricity for the fair grounds. All paper companies have paper made from
organically grown trees with no growth hormones. Every tree has its own RFID
tag and is tracked from seedling to printed sheet. There was a “mad paper”
scare but it was traced back to a bad batch of coated stock made on Easter
Island using child labor -- baby monkeys. Carbon contracts are being sold at
the hot dog stands.
The fair
grounds now has an amusement park with a closed loop-de-loop color roller
coaster system. Color Space Mountain is also a popular attraction.
All
exhibitors have their usual slogans, but the one that got the most attention
was Ricoh’s “Free beer.” Not to be outdone, Xerox introduced “Freeflow beer,”
which is not free.
Lastly,
there is a new Drupa song. Based on “It’s a small world,” it combines inane
lyrics with repetition that drives you crazy:
It's a
print world after all.
It's a
print world after all.
It's a
print world after all.
It's a
print, print world.
There’s
just one Drupa
And
that’s enough
The halls
are crowded
And
there’s lots of stuff
I walk
the aisles
Adding up
the miles
It's a
print world after all.
It's a
print world after all.
It's a
print world after all.
It's a
print world after all. It's a
print, print world.
Repeat
200 times.
Frank Romano is available for speaking engagements. To get more information contact us here.
Please offer your feedback to Frank. He can be reached at frank@whattheythink.com.
Frank Romano has spent over 40 years in the printing and publishing industries. Many know him best as the editor of the International Paper Pocket Pal or from the hundreds of articles he has written for publications from North America and Europe to the Middle East to Asia and Australia.
He is the author of over 44 books, including the 10,000-term Encyclopedia of Graphic Communications (with Richard Romano), the standard reference in the field. His books on QuarkXPress, Adobe InDesign, and PDF workflow were among the first in their fields. He has authored most of the books on digital printing. His latest book is the 800-page textbook for Moscow State University.
He has founded eight publications, serving as publisher or editor for TypeWorld/Electronic Publishing (which ended in its 30th year of publication), Computer Artist, Color Publishing, The Typographer, EP&P, and both the NCPA and PrintRIT Journals. His columns appear monthly in the Digital Printing Report. He is the editor of the EDSF Report.
Romano lectures extensively, having addressed virtually every club, association, group, and professional organization at one time or another. He is one of the industry's foremost keynote speakers.
He has consulted for major corporations, publishers, government, and other users of digital printing and publishing technology. He wrote the first report on on-demand digital printing in 1980 and ran the first conference on the subject in 1985. He has conceptualized many of the workflow and applications techniques of the industry and was the principal researcher on the landmark EDSF study, Printing in the Age of the Web and Beyond.
He has been quoted in the New York Times, Wall Street Journal, Times of London, USA Today, Business Week, Forbes, and many other newspapers and publications, as well as on TV and radio. He has partnered with InfoTrends on strategic information for the printing industry.
He continues to teach courses at RIT and other universities and works with students on unique research projects.
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