The very last Drupa article (maybe)
By Frank Romano
June 27th, 2008 -- You can learn a lot by just listening -- and taking notes. I
went through my notebooks of the trip around the world and Drupa and found some items that were interesting (or not) but seemed important at the
time. The number of business cards accumulated as I met with printers, media,
and suppliers at Drupa is 398. The worldwide
non-Drupa total is 623. Most are in languages I do not understand. Here are my
notes, in no particular order.
The two most common words I saw on signs around the world:
“copy” and “internet.”
I talked to a printer from Belgium who recently got an order
for printing from China. The job required a level of color quality that the
Chinese print buyer said was not available in China.
There are 100,000 printers in China, but the 800 or so
largest account for about 40 percent of all printing.
Among China’s top 100 printers, 52 are foreign invested and
30 are in Guangdong.
There are 2,000 foreign-invested Chinese printing
enterprises, with most in Pearl River Delta and Yangtze River Delta.
A Vietnamese printer told me that his company was receiving
jobs from China because their costs/prices were lower.
A printer in Malaysia told me they were receiving jobs from
Vietnam because their prices were lower.
Vietnamese roads are clogged with scooters, bikes, cars,
trucks, and water buffalo. Then I heard that they would have their own
satellite for telecommunications. I would fix the roads first.
Thailand stopped shipping fish to another country for
processing and packaging. Now they do both themselves, giving rise to a growing
package printing industry.
There are 300,000 small printers worldwide -- one tenth in the US.
Half of the printing in Singapore is exported.
All those containers with products from China do not go back
empty from the US. They are filled with waste paper for recycling.
A print buyer in Hong Kong told me about InnerWorkings (www.inwk.com), a print buying organization that claims average savings range
from 10-20 percent relative to historical spend.
Every printer in every country that I visited said “We are unique.” “Why,” I asked. “Because we have price
competition.”
I could never understand why the UK is the major source of
imported printing to the US. Then I visited a book printer in India that sold
books to university presses in the UK. The books are then trans-shipped to
North America.
The two most common words I saw on signs around the world:
“copy” and “internet.”
The most common thing I saw was large signage with color
imagery. Hand-lettered signs are fading away.
Many suppliers say that 80 percent of their revenue is from
products introduced in the last five years.
Over half of all plates in the world are digitally imaged.
India population is 1.16 Billion; China population is 1.3
Billion. The average age group is 25 years
In India there are 23 languages and 60 percent speak Hindi
with 1,652 dialects; thus 1 in 3 speak English, making India the largest
English-speaking country in the world.
If you speak two languages, you are bi-lingual, three
languages or more, you are multi-lingual, and if you speak only one language
you are an Englishman (old Indian joke).
In India you can be killed by a tiger or by lettuce (new
Indian joke).
India’s investment in education is significant They will have the intellectual capital to advance.
But they also lack the gigawatts of electrical power required to sustain their growth.
One inkjet company said that inkjet ink was one fifth the cost of toner. I said that this was not
reflected in that company’s pricing for inkjet ink.
So long as there is great art in Italy and the restriction
on taking photos in galleries and museums, there will be a high-quality book
printing industry.
When it comes to inkjet printing, just remember Single Pass
Printing. It is an array of print heads positioned over the substrate that
eliminates the movement of the heads.
One of the fastest growing printing markets -- one word:
plastics.
Digital printing pushes volume downstream. Think of it --
the on demand concept reduces runs to the point where smaller presses/printers
are applicable.
Muller Martini’s slogan was left out of my list: Grow with
us. And EskoArtwork’s is: Connect more.
The Italian government announced a ban in the coming decade
on all non-biodegradable packaging. Agro-industrial giant Ferruzzi announced a plastic suitable for packaging that is the world's first to be
truly biodegradable.
Designers use either 4 colors or 400 colors.
Next big thing: bio inks and degradable vinyl.
The Spanish transpromo market is
more mature than the UK, where transpromo spending
accounts for only 3 percent of the annual UK market spend. Direct mail giant Dsi CMM said UK
advertisers were missing out on an unexploited opportunity by not printing on
the unused advertising space of bills and statements.
Look for more wider production inkjet printers. The maximum
print width of a Versamark configuration is 60
inches, for instance.
VIGC, the Belgian research institute, tested
spectrophotometers and discovered that all of them differed in repeatability
and accuracy. So much for color management.
Sixty percent of all packaging is
purchased by brand owners.
Seventy percent of all purchase decisions are made in the
store.
A printer in Indianapolis bought a wide format inkjet
printer from a US subsidiary of a company headquartered in Europe, but made in
South Korea, with ink made in China.
Some Japanese wide format printers still use SCSI
connectors.
GraphExpo is only three
months away. Almost all the companies with new Drupa technologies will be in Chicago this October, but we have to see how many bring
them to the American market. What will the exhibitors have to say? -- it has all been said at Drupa.
Frank Romano is available for speaking engagements. To get more information contact us here.
Please offer your feedback to Frank. He can be reached at frank@whattheythink.com.
Frank Romano has spent over 40 years in the printing and publishing industries. Many know him best as the editor of the International Paper Pocket Pal or from the hundreds of articles he has written for publications from North America and Europe to the Middle East to Asia and Australia.
He is the author of over 44 books, including the 10,000-term Encyclopedia of Graphic Communications (with Richard Romano), the standard reference in the field. His books on QuarkXPress, Adobe InDesign, and PDF workflow were among the first in their fields. He has authored most of the books on digital printing. His latest book is the 800-page textbook for Moscow State University.
He has founded eight publications, serving as publisher or editor for TypeWorld/Electronic Publishing (which ended in its 30th year of publication), Computer Artist, Color Publishing, The Typographer, EP&P, and both the NCPA and PrintRIT Journals. His columns appear monthly in the Digital Printing Report. He is the editor of the EDSF Report.
Romano lectures extensively, having addressed virtually every club, association, group, and professional organization at one time or another. He is one of the industry's foremost keynote speakers.
He has consulted for major corporations, publishers, government, and other users of digital printing and publishing technology. He wrote the first report on on-demand digital printing in 1980 and ran the first conference on the subject in 1985. He has conceptualized many of the workflow and applications techniques of the industry and was the principal researcher on the landmark EDSF study, Printing in the Age of the Web and Beyond.
He has been quoted in the New York Times, Wall Street Journal, Times of London, USA Today, Business Week, Forbes, and many other newspapers and publications, as well as on TV and radio. He has partnered with InfoTrends on strategic information for the printing industry.
He continues to teach courses at RIT and other universities and works with students on unique research projects.
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